Advanced Short Form

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Advanced Short Form Improvisation:

A fun and high-energy course intended for those with some previous improv experience. We’ll be learning some performance games that have more moving parts to them, learning about how games work and how to make our own, and rounding out scene work skills. The course will include guessing games, physical games, character work, space/object work, status, playing a relationship, adding information in different ways and layering all of the above to create dynamic scenes, games, and shows. We will also laugh our faces off and make lots of friends!

These classes are suitable for just about everybody, no matter your background. The venue has flat access, and most levels of physical fitness and ability can easily be accommodated. You’ll also need good basic English skills, but please don’t be worried if it’s your second language.

Email theimprovable@gmail.com with any questions

8 Tuesdays from 7-930, starting April 18. Classes are held at the Nursery Training Centre, Capital House, Weston Street SE1 3QD. A performance showcase will be scheduled for shortly after the course ends.

Tickets: https://www.eventbrite.com/e/advanced-short-form-tickets-32432884631

About your teacher:

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Artistic director of Improvable Stephen Davidson has been improvising for 6 years and is a huge improv geek. He currently also directs QI: Queer improv, and plays with The Verbs, house team of the Nursery theatre, in interdisciplinary group Zootropic, and in twoprovs The Eh Team with Kit Harmon and The Happiest People in the World with Erick Castellan. He has studied improv through i/o Chicago, The Nursery, The Free Association, Upright Citizen’s Brigade, Hoopla, The Maydays, Music Box, Showstoppers, Imprology, and more.

Stephen loves improv and one of the world’s most cheerful people when playing or teaching. His day job is as a clarinettist, conductor, and music teacher, and he’s always felt at home on stage. When coaching both music and improv he prides himself of creating a positive environment so that players can perform at their best. Stephen likes his improv like he likes his partners; silly, clever, and emotionally connected.